
Australian artist Patricia Piccinini makes a stirring return to the Galway International Arts Festival, bringing her latest exhibition We Travel Together to the fore. More than a decade has passed since she last captivated audiences there with her groundbreaking sculptures and the whimsical *Skywhale* balloon. This time, she's focusing on connecting people with nature in unexpected ways, fully embracing the festival's ethos of creative exploration.
The centerpieces of this exhibition include a compelling film starring Aussie actor Jill Nguyen. The narrative journey Nguyen embarks on, where she rediscovers her bond with nature through a fantastical creature, speaks to a profound need for reflection amid modern disconnection. This leads us squarely to Piccinini's sculpture, Eulogy, that features a hyperrealistic vision of a man tenderly holding a blobfish, an unlikely symbol in the art world.
Widely recognized for her hyperrealistic sculptures, Piccinini was inspired by the blobfish when she encountered it at the Melbourne Museum. At first glance, you might think this fish with its saggy, human-like face is simply a curiosity. But delve deeper, and you'll find it is at risk due to our relentless deep-sea trawling activities. The blobfish not only captivates with its uniqueness but also epitomizes the threats facing our marine life. Through Eulogy, Piccinini offers not just art, but a 'sincere celebration' of resilience in nature.
Additional works in the exhibition further emphasize environmental themes. An impactful piece, Shadowbat, sheds light on the distressing death rates of bats in Queensland linked to climate change. Piccinini's art pushes us to consider the fragile balance of our ecosystems and the undeniable impact of human activity.
Piccinini's creative process, involving silicone and resin, transforms her sculptures beyond mere fiction into poignant reflections on current scientific and ecological dialogues. In a world rapidly advancing in biotechnology, her work skates on the edge of reality, challenging us to reconsider our ethical responsibilities to the planet. Her insights connect speculative aesthetics with urgent calls for action in a rapidly changing biological age.
The exhibition, with its complex blend of art and advocacy, holds a mirror to society, urging viewers to confront their relationship with the environment. Piccinini's art isn't just to be seen; it's to be felt and understood in the context of our planet's future.
Mar, 20 2025